Justin Anderson Serendipity, rather than the fate which clings to the protagonist of Judith Weir's Miss Fortune, led me to catch the last night of a double-cast spectacular at the Guildhall School of Music and Drama.What a tonic to find a top-notch young cast and orchestra working their disciplined socks off for conductor Dominic Wheeler and director Martin Lloyd-Evans after the dog's dinner of English . Years ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. King Harald's Saga - Wikipedia Chester Music #MUSCH61126. 145 Miss Weir Photos and Premium High Res Pictures - Getty Images CREATIVE Collections Project #ShowUs Creative Insights EDITORIAL VIDEO BBC Motion Gallery NBC News Archives MUSIC BLOG BROWSE PRICING ENTERPRISE VisualGPS INSIGHTS BOARDS BASKET SIGN IN Images Images Creative Editorial Video Creative Editorial FILTERS CREATIVE EDITORIAL VIDEO Given the intimacy and physical support of the Linbury Studio (instead of the open wastes of the main auditorium) the work would at least have had a fair hearing, instead of becoming an object of near ridicule. In 2014 she was appointed . Guildhall Schools Opera department presents a double bill of operatic works exploring romantic love, fate and fortune. The much-publicised breakdancers of Chen Shi-Zengs efficient but actually rudimentary staging only serve to highlight how irrelevant Weirs musical language is to her conception. Age 14-25? My reworking begins with a financial crash and ends with an unlikely lottery win - yet I didn't set out to write a piece about. Charlie Broad Judith Weir's music has been widely recorded, particularly on the NMC and Delphian labels; and is published by Chester Music and Novello & Co. The Vanishing Bridegroom and Miss Fortune. OPERA NEWS, COMMENTARY, AND REVIEWS FROM AROUND THE WORLD. Written specifically for performance on American television in 1947, Gian Carlo MenottisoperaThe Telephoneis a romantic comedy in one act, written for just two singers and a hand-picked chamber ensemble of instrumentalists. Judith Weir Sheet Music, Scores & Parts | nkoda Judith Weir. So I arrived at Miss Fortune without any real idea of what I was going to get. Judith Weir MusicFirst Young Composers Competition During this time she began to write a series of operas (including King Haralds Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. In 2005 her opera Armida, an opera for television, was premiered on Channel Four in the United Kingdom). Weir is a warmly admired composer, modest in manner but gritty in ambition, as anyone in her field has to be first to achieve, second to survive. London She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. So, turning convention on its head, weve a fatalistic riches-to-rags tale transposed from a Sicilian original and relocated in time and place to take account of the financial ills and social unrest of the here and now. Judith Weir's Miss Fortune at Covent Garden | Bachtrack 28 pages. Fate - Andrew Watts. A first performance of a new opera is the start of a precipitous journey. 2010-2023 Bachtrack Ltd. All rights reserved. Julia Bermingham, Staff Costume Supervisors Original reporting and incisive analysis, direct from the Guardian every morning, Unsolved problems: (l-r) Kathryn Harries, Alan Ewing and Emma Bell struggle to make an impression at Covent Garden. Miss Fortune, Royal Opera | The Arts Desk Judith Weir | Page 3 | British Music Collection Longfei Wang* The composer Judith Weir wrote the opening work for last year's Proms. Booking fees are per transaction and not per ticket. Classical. Miss Fortune is Birtish composer Judith Weir's first operatic composisition in the last 17 years. Was it a plane, a boat or a train? RGT Birthdays today [21] Andrew Clements wrote in The Guardian of "a long two hours in the opera house" with scenes that "follow like cartoonish tableaux, without real characterisation, or confrontation, and without suggesting a dramatic shape", and also criticised the "twee rhyming couplets and inert blank verse" of Weir's libretto. Weir, Judith (b1954) - Composer - Hyperion Records - CDs, MP3 and It was a co-production with the Royal Opera, Covent Garden, London, and was written in English. Judith Weir was born into a Scottish family in 1954, but grew up near London. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Gabriel Francis-Dehqani, Double Bass Hassan - Noah Stewart The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal . This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) And Im not sure I want to think too hard about the statements it does make: for example, the breakdancing team Soul Mavericks are superb, but theyre cast as stereotypical hoodlums wrecking things with baseball bats. Tina's wealthy family lose all their possessions overnight and she is thrown into a life of poverty. Weir, who succeeds Sir Peter Maxwell Davies, will be appointed for a. Judith Weir - Minute of Listening What doesnt change, at least in the 53 minute first act, is her accenting: the music is continually using devices to ratchet up the tension - chromatics, diminished and augmented chords. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queen's Music, in succession to Sir Peter Maxwell Davies. Miss Fortune, Royal Opera House - The Independent The work should not have been put on the Royal Opera House stage without rigorous overhaul, especially in a staging so crassly bare and wide open that the voices were left stranded, good singers reduced to reedy insubstantiality, the slim drama robbed of focus. . R. 70. Judith Weir - Delphian Records She has also created new music for many community groups and schools, including Burntwood School Wandsworth, Aberdeen Art Gallery, St Marys Church Dover and Greenacre School, Barnsley. Miss Fortune - Wikipedia During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) . Silly and naive. Never should the final authority be taken away from the composer, but a question might stimulate a rethink. Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Kyra Coppini, Production Sound Engineers The Royal Opera promise a feast for the eyes and dont disappoint. For Guildhall School performances please use the Guildhall School entrance on Silk Street. 7 Bayerisches Staatsorchester/Petrenko, NOTES FROM LOCKDOWN: Nigel Lilley in Conversation, GRAMOPHONE Review: Mahler Symphony No. Judith Weir | The Tree of Peace - YouTube Privacy Policy Miss Weir Photos and Premium High Res Pictures - Getty Images Antonio Daz Fernndez Nonetheless, having written her own libretto as well as the music, she was easy prey. Weir was born in Cambridge, England, to Scottish parents. 1 / 3. The opera reworks a Sicilian folktale as a contemporary parable. Lisette Oropesa leads strong vocal performances in Handel's madcap tale of love and sorcery. Her most recent opera, Miss Fortune, which opened in 2012, was . Discover Judith Weir sheet music on nkoda.Find 133 Judith Weir pieces from leading publishers on the greatest digital sheet music library. Miss Fortune - judithweir Definitions of Judith_Weir, synonyms, antonyms, derivatives of Judith_Weir, analogical dictionary of Judith_Weir (English) . And yet the characters are archetypes who grovel in the dirt of clich. She was commissioned to compose an a cappella work for the state funeral of Elizabeth II on 19 September 2022, and wrote a setting of Psalm 42, "Like as the hart".[17]. The spare orchestration, full of scurrying chromatics, often glistening string writing and crisply atmospheric percussion, including piano, was potentially attractive and melodic, though its variety was mostly lost in the ROH auditorium. Look out for the paean to the perfectly laundered shirt sung by Simon (the excellent Jacques Imbrailo), which is a moment of pure comic genius. Judith Weir. The absence of an intermediary sparring partner in the shape of a librettist may have made it difficult for the right person to say to Weir "more here, less there". Judith Weir - Infinite Women Oliver Mears' new production of Britten's chamber opera is a visceral reflection on tyranny and sexual violence. It was a concept that worked well on paper, but the contrasting styles and libretti of Gian Carlo Menotti and Judith Weir one charming and unpretentious, the other angular and banal felt mismatched musically and made for an uneven night. Where Weirs orchestral writing is full and rich, the vocal parts are for the most part agile and harsh. Want to bookmark your favourite articles and stories to read or reference later? Most hurtle down the chute at once, all limbs flailing, and plunge straight into the wheelie bin of oblivion. Do you remember your first pieces? Miss Fortune - review | Opera | The Guardian For more access information, please visit ourAccessibilitysection. Its probably not a good idea to come to Miss Fortune looking either for deep meaning or for authentic folktale. Sad to say but Judith Weir's sixth opera is an embarrassment. Did the huge generic trapezium in the middle of the stage represent the dizzying moral precipice over which we mortals all too often hurl ourselves, especially in the name of making opera? She has written orchestral music for the BBC Symphony, Boston Symphony and Minnesota Orchestras. [13], The American premiere of Miss Fortune was originally planned in 2011 by the Santa Fe Opera to be a part of its 2014 season, but it was announced in the summer of 2012 that the opera was to be replaced by the North American premiere of Huang Ruo's Dr. Sun Yat-sen.[22]. Judith Weir. . Sad to say but Judith Weir's sixth opera is an embarrassment. Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. What you think of Miss Fortunes music will depend very much on personal tastes: I found it music to admire rather than to love. Ema Cunha Simon, a wealthy young man Jack Holton (28 Feb & 4 Mar), Jonathan Eyers (2 & 7 Mar), Chorus of sweatshop workers and party guests: Interview by The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012. Tina (Miss Fortune) - Emma Bell. BBC Philharmonic/David, GRAMOPHONE Review: Shostakovich Symphony No 10, Mahler Symphony No 10 Hong Kong Philharmonic Orchestra/van Zweden, GRAMOPHONE Review: Mahler Symphony No. CONTENTS OPERA Blond Eckbert. When her life's course turns from bad to worse, she makes a date with Fate. Shana Moron-Caravel Julian Hepple. Katie Wong, Production Assistants Nicole Ma, Percussion Noah Stewart on Miss Fortune - Interview - YouTube But I personally have been feeling thoroughly revived after GSMD's energy-giving version of my 2011 opera "Miss Fortune" which opened at the beginning of March. Andr Soares Judith Weir's Miss Fortune did not have a favourable reception when it premiered at Covent Garden in 2012, considered by some ill-suited to the Royal Opera House and lacking the musical engagement of her previously melodically rich operas and a decent libretto. Menottis parade of operatic models coloratura showpiece, rage aria and lament were effortlessly pointed up and the rapport between the singers was communicated with both tenderness and impatience. Judith Weir Wiki - everipedia.org Judith Weir's opera is a story about Tina and how her life dramatically changes course overnight; it is a story about fate and fortune. 2.1.1 Miss Fortune (Achterbahn) 2.2 Other key works; 3 Selected recordings; 4 External links; 5 References Biography. DAME PATRICIA ROUTLEDGE: Facing The Music - A Life in Musical Theatre, Meyerbeer "Robert Le Diable", Royal Opera House (Review), GRAMOPHONE Review: Bartk Duke Bluebeard's Castle - Helsinki Philharmonic Orchestra/Mlkki, GRAMOPHONE Review: Prokofiev Symphonies 1 & 7/Lieutenant Kij Suite - Deutsches Symphonie-Orchester Berlin/Sokhiev, GRAMOPHONE Review: Mahler Symphony No. 7. A strong ROH2 schedule includes premieres by Scott Walker, Huw Watkins and Stuart MacRae in a season that will offer "fresh and interesting angles on the art form". Miss Fortune in name and deed. A chance lottery win enables her escape from poverty, and like all good fairy tales, she goes off into the sunset with the handsome prince, Jack Holton whose paean to a freshly laundered shirt made one of the few amusing moments. But now that the Royal Opera House's chorus has taken over, the opera seems to have moved into 3D. By the end of the act, I was finding it all rather wearing, and theres little in the way of flowing vocal lines to lift the heart. Had Kieron-Connor Valentines Fate been more malevolent his encounters with Erin Gwyn Rossingtons Tina would have had more emotional impact. [10] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh. . Miss Fortune is Birtish composer Judith Weir's first operatic composisition in the last 17 years. In London, the tricky proposition of portraying a chaotic cloud has been undertaken by Soul Mavericks, breakdancers with an amazing ability to perform hundreds of complex patterns, often in mid-air. The much-publicised breakdancers of Chen Shi-Zengs efficient but actually rudimentary staging only serve to highlight how irrelevant Weirs musical language is to her conception. I decided to use the tale as a basis for a new opera. Sad because Weir's folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. If your booking contains several events the highest booking fee will apply. Judith Weir CBE HonFRSE (born 11 May 1954)[1] is a British composer serving as Master of the King's Music. Nina Lim BBC Radio 3. "But the good thing," she added, "is that I completely forget to worry about singing the music.". Miku Yasukawa But this encyclopedic experience helps. Weve plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus. But this time round, it seemed even more relevant than to pay onstage attention to this subject. Joana Praa* In food terms this was a programme comprising starter and main course, a well-designed menu beginning with a romantic comedy and followed by a picaresque meditation on fate with much to nourish the ears, eyes and mind. Christos Maltezos* And did the previous orchestra really play that F-natural all last summer and we never noticed? Noah Stewart as Hassan and Emma Bell as Tina in the Royal Opera's production of Judith Weir's Miss Fortune directed by Chen Shi-Zheng and conducted. The opera reworks a Sicilian folktale as a contemporary parable. Silk Street Miss Fortune | The Theatre Reviewer In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queens Music, in succession to Sir Peter Maxwell Davies. Vanessa Lingham, Stage Management Supervisor On 30 June 2014, The Guardian stated that her appointment as Master of the Queen's Music,[5] succeeding Sir Peter Maxwell Davies (whose term of office expired in March 2014), would be announced;[6] this was officially confirmed on 21 July. Austria, the Netherlands, Belgium and the USA. A few quotes from suddenly redundant bankers made it into the libretto ("I'm going to clear my desk"; "I'll never find another job") but soon I and my opera were pondering the wider mystery of how random the universe is, and how it often seems there's nothing we can do about it. Photograph: Tristram Kenton, as it a plane, a boat or a train? It has been a hyperactive week for hubris, schadenfreude and any other not quite correctly used foreign words you care to scatter. Two outstanding performances by young singers light up a splendidly crafted revival of Caurier and Leiser's colourful production. Location Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. World premiere at the Bregenz Festival on 21st July 2011 at the Festspielhaus, Bregenz, directed by Chen Shi-Zheng, with the Prague Philharmonic Chorus (director Lukas Vasilek) and the Vienna Symphony Orchestra, conducted by Paul Daniel.
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